The scream of music, a blow of emancipation

  • Xavier Karolys Universidad de Los Hemisferios
DOI: https://doi.org/10.31207/rch.v10i3.211
Keywords: phenomenology, argentine society, military dictatorship, rock, resistance, emancipation

Abstract

This exhibition takes place in the «margins», in the thought and in the gloom of an event. That military dictatorship (1976-1983) that enveloped the argentine society, snatching the rights and justice of each citizen. However, music was there to fight, and it was there where rock manifests itself in search of liberation, rebellion and expression; externalizing the beginning of an emancipation. This section reflects on the influence that Charly García had in fighting censorship and repression through «art». A combination of sounds and letters that drove the social insertion of the defeated, to shed the dogmas, taking the flag of action.

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Author Biography

Xavier Karolys, Universidad de Los Hemisferios

Philosopher and Researcher. Bachelor of Political Science and International Relations from the University of the Hemispheres (Ecuador). It develops an informative work, interested in introducing philosophy in the different spaces of society. He has been invited to teach and participate in seminars (eg, "Jean Paul Sartre: A Century of Freedom") and conferences (eg, "The Fading of the Present"). In this context he has developed research that revolves around phenomenology and deconstruction.

References

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Published
17-12-2019
How to Cite
Karolys, X. (2019). The scream of music, a blow of emancipation. ComHumanitas: Scientific Journal of Communication, 10(3), 1-12. https://doi.org/10.31207/rch.v10i3.211
Issue
Vol 10 No 3 (2019): Popular music and counterculture
Section
Artículos

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