Revista ComHumanitas, ISSN: 1390-776X
Vol. 15, núm. 2 (2024), Julio - Diciembre 2024
DOI: https://doi.org/10.31207/rch.v15i2.456
Personalización de contenidos en servicios de vídeo bajo demanda: Satisfacción con los algoritmos de las redes sociales
Personalization of Content in Video-on-Demand
Services: Insights from Satisfaction over Social Media Algorithms
Personalização de conteúdo em serviços de vídeo sob demanda: satisfação com algoritmos de redes sociais
Alicia Urgellés-Molina[1]
Universidad Hemisferios
Mónica Herrero[2]
Universidad de Navarra
Fecha de recepción: 1 de diciembre de 2024
Fecha de aprobación: 12 de diciembre de 2024
Fecha de publicación: 17 de diciembre de 2024
Resumen
La rápida evolución de la personalización algorítmica ha reconfigurado la experiencia de los usuarios en las redes sociales y las plataformas de video a la carta, adaptando las recomendaciones de contenidos a las preferencias individuales. Este artículo explora la intersección entre la satisfacción del usuario, la capacidad de respuesta algorítmica y los patrones de consumo, haciendo hincapié en la influencia de las recomendaciones basadas en IA. Destaca cómo la percepción de la personalización algorítmica influye en el comportamiento del usuario, fomentando tanto el compromiso como la preocupación por las cámaras de eco y la privacidad.
Al examinar el paso de la emisión lineal tradicional al consumo no lineal de video a la carta, el estudio analiza cómo afectan los sistemas de recomendación a la calidad de la experiencia (QoE, por sus siglas en inglés). Además, aborda fenómenos como el binge-watching, la conciencia algorítmica y las implicaciones éticas de la personalización en la entrega de contenidos. Las diferencias generacionales en el uso de los medios ponen de relieve la interacción dinámica entre los hábitos de las redes sociales y las expectativas del vídeo a la carta.
Los resultados subrayan la necesidad de transparencia, diseño ético de la IA y alfabetización algorítmica para equilibrar la satisfacción del usuario con las prácticas responsables de los medios de comunicación. Esta investigación contribuye a comprender las implicaciones más amplias de la personalización en los ecosistemas de contenidos digitales, ofreciendo orientación para futuros desarrollos en los sistemas algorítmicos de medios de comunicación.
Palabras clave: Personalización algorítmica, vídeo a la carta, satisfacción del usuario, sistemas de recomendación, calidad de la experiencia
Abstract
The rapid evolution of algorithmic
personalization has reshaped user experiences on social media and
video-on-demand (VOD) platforms, tailoring content recommendations to
individual preferences. This paper explores the intersection of user
satisfaction, algorithmic responsiveness, and consumption patterns, emphasizing
the influence of AI-driven recommendations. It highlights how perceptions of
algorithmic customization impact user behavior, fostering both engagement and
concerns over echo chambers and privacy.
By examining the shift from traditional linear
broadcasting to non-linear VOD consumption, the study analyzes how
recommendation systems affect Quality of Experience (QoE). Additionally, it
addresses phenomena like binge-watching, algorithmic awareness, and the ethical
implications of personalization in content delivery. Insights from generational
differences in media use further underscore the dynamic interplay between
social media habits and VOD expectations.
The findings underscore the need for
transparency, ethical AI design, and algorithmic literacy to balance user
satisfaction with responsible media practices. This research contributes to
understanding the broader implications of personalization on digital content
ecosystems, offering guidance for future developments in algorithmic media
systems.
Keywords: Algorithmic Personalization, Video-on-Demand,
User Satisfaction, Recommendation Systems, Quality of Experience (QoE)
Resumo
A rápida evolução da personalização algorítmica reformulou as experiências dos usuários nas plataformas de mídia social e de vídeo sob demanda (VOD), adaptando as recomendações de conteúdo às preferências individuais. Este artigo explora a interseção da satisfação do usuário, a capacidade de resposta algorítmica e os padrões de consumo, enfatizando a influência das recomendações orientadas por IA. Ele destaca como as percepções da personalização algorítmica afetam o comportamento do usuário, promovendo tanto o envolvimento quanto as preocupações com câmaras de eco e privacidade.
Ao examinar a mudança da transmissão linear tradicional para o consumo não linear de VOD, o estudo analisa como os sistemas de recomendação afetam a qualidade da experiência (QoE). Além disso, ele aborda fenômenos como binge-watching, consciência algorítmica e as implicações éticas da personalização no fornecimento de conteúdo. As percepções das diferenças geracionais no uso da mídia destacam ainda mais a interação dinâmica entre os hábitos de mídia social e as expectativas de VOD.
As descobertas ressaltam a necessidade de transparência, design ético de IA e alfabetização algorítmica para equilibrar a satisfação do usuário com práticas de mídia responsáveis. Esta pesquisa contribui para a compreensão das implicações mais amplas da personalização nos ecossistemas de conteúdo digital, oferecendo orientação para futuros desenvolvimentos em sistemas de mídia algorítmica.
Palavras-chave: Personalização algorítmica, vídeo sob demanda, satisfação do usuário, sistemas de recomendação, qualidade da experiência (QoE)
Introduction
The rise of algorithm-driven
personalization has transformed how content is curated and consumed in digital
spaces, especially on social media and video-on-demand (VOD) platforms.
Algorithms analyze user behavior—such as likes, comments, and viewing habits—to
tailor content according to perceived preferences. While many studies focus on
the influence of these algorithms, findings are often inconsistent due to
reliance on observational methods rather than controlled experiments. The few
random experiments available, primarily conducted by companies that develop
these algorithms, are challenging to replicate, limiting external researchers'
ability to fully understand the mechanisms at play. There is a clear need for
more randomized, independent studies to evaluate how these algorithms affect
user behavior, particularly from researchers outside the companies that design
these systems.
A deeper understanding of user
perceptions of these algorithms is crucial, as it shapes how users engage with
platforms. Users often assume that algorithms work based on personal engagement
metrics—content they have liked, commented on, or watched previously. This
belief is part of a broader feedback loop where user interactions continuously
reshape the algorithm’s recommendations. This dynamic relationship means that
users adjust their behavior based on what they perceive the algorithm’s
preferences to be, feeding new data back into the system.
Having in mind the evolution of
audiovisual content providers and audiovisual consumption, as it was briefly
explained earlier, this research seeks to delve into the influence that
consumption patterns on social media, strongly shaped by the filter of algorithmic
recommendation, can have on audiences’ behavior in video-on-demand platforms.
As algorithms curate and manage most content distribution on social media, it
becomes important to understand the relationship that develops between users
and their content filters. These systems have come to develop certain
expectations and behaviors within media users and are molding the paths to
media consumption over all other platforms.
With a special focus on the
generational differences regarding social media consumption patterns and
experiences, this exploratory paper provides a theoretical analysis of how
Artificial Intelligence is transforming content personalization and its role within
the Quality of Experience (QoE), as well as its perception by VOD users. We
examine existing literature on AI-based recommendation algorithms, the factors
that constitute QoE in VOD platforms, as well as insights from social media
algorithms, highlighting their perceived functionality, and effectiveness in
tailoring content to user preferences.
The paper also discusses the
theoretical implications of these algorithms on user experience, including
alleged increased satisfaction and platform engagement. In it, we will attempt
to deepen into both the risks and opportunities personalization through AI
might bring. One of the risks is related, for example, to the fears
associated with the use of personal data and the perception of surveillance
surrounding AI and machine learning, since there seems to be no way for users
to turn off the filtering (Van Den Bulck & Moe, 2017). Other risks come
from the possibility of manipulations that could be conducted through them,
since algorithms are not open to scrutiny (Striphas, 2015) and most
organizations keep them enclosed. However, some authors think algorithms reduce
cognitive bias. In fact, there are some studies that show that people tend to
rely on the advice proposed by algorithms more than on human advice (Gil De
Zúñiga et al., 2022).
Furthermore, we will also point out
one of the risks concerning Quality of Experience which may not commonly be
associated with it, as is pluralism and the concern for polarization. The
non-existence of the raw algorithm, and the rationality behind its configuration
means that it is possible to intervene in the design of the algorithm in a
curatorial way, as it is expected in cultural industries. Morris (2015) takes
Bourdieu’s concept of cultural intermediaries and considers recommendation
systems as a new type of cultural intermediary that prepares cultural products
for circulation with the help of algorithms: the way in which algorithmic
recommendations frame content and manage their presentation would become an
important part of the intermediation process of presentation and representation
of culture and therefore, the production of culture. Therefore, personalization
could also imply broadening the interests of audiences rather than simply
adjusting the recommendations to their previous preferences, and that means a
greater quality of video consumption experience.
In any case, it seems audiences’
awareness towards algorithms may be crucial. As Zarouali (2021) points out,
“the lack of algorithmic awareness might contribute to major societal problems,
such as the spread of mis- and disinformation, the proliferation of filter
bubbles, an increased susceptibility to data-driven manipulation, and the
reinforcement of stereotypes, inequalities and discrimination”.
Finally, this paper addresses the
managerial challenges associated with data collection and usage, drawing from a
wide range of academic sources to explore how these issues have been
conceptualized and addressed across both social media and video-on-demand
contexts. This research aims to synthesize existing knowledge and identify gaps
for future exploration in the field of AI-driven personalization in media
services.
Some key concepts for this research
revolve around algorithm awareness, its relation to content and platform
enjoyment, and the need for orientation these systems might fulfill for users.
Evolution of
the Audiovisual Sector
The last decade has seen a
significant evolution in the audiovisual sector, driven by the exponential
growth of online content. The abundance of video content available has
dramatically increased, offering users an unprecedented variety of viewing
choices. Despite this proliferation, the amount of time that audiences can
dedicate to viewing—arguably the most valuable resource in the media
industry—remains limited.
One of the earliest solutions to
navigating this content abundance was the Electronic Program Guide (EPG).
Emerging in the United States as a cable television feature, the EPG provided
updates on TV channels and schedules, helping users find content of interest.
This system sought to solve the challenge of content discovery in a landscape
with numerous channels, each with different schedules. The essence of the
problem was information overload—finding the right program at the right time
amidst a multitude of options.
As the media landscape shifted from
multichannel TV providers to online VOD platforms, new challenges and
opportunities emerged. The move to online platforms has fundamentally redefined
consumption times and spaces, enabling a transition from a linear, mass-consumption
model to a personalized experience more akin to browsing a digital library or
shopping online. Users are no longer constrained by rigid schedules; they can
access content on-demand, anytime and anywhere, according to their preferences.
This shift toward non-linear,
individualized consumption—free from traditional constraints of time and
space—aligns more closely with how other market goods are consumed. Unlike the
linearity and simultaneous consumption associated with traditional broadcasting,
online VOD consumption offers flexibility. Traditional TV was characterized by
immediacy and the fleeting nature of live broadcasts, where content could not
easily be revisited. Today, VOD platforms empower users to rewatch, pause, or
skip through content at their convenience.
Belk (1975) discusses the importance
of considering the circumstances, contexts, and situations surrounding
consumers when studying their behavior and decision-making. A consumption
context refers to the circumstances in which a consumer purchases or uses a
product or service. Translating the concept of a catalog to online video on
demand leads us to consider issues related to the redefinition of consumption
times and spaces, as we move from a grid designed for linear and mass
consumption to a situation of personalized consumption, more akin to that of a
library or online commerce.
Users may
perceive added value in their relationship with the television network simply
from this transformation, but managing the change will be essential to leverage
and offer a redefinition of the traditional service. We aim to highlight what
can be incorporated into the traditional value proposition of the television
network as it transitions to an environment that functions more like online
retailing, a space where algorithmic recommendation and the application of AI
are also of significant interest.
User
Perceptions of Algorithmic Responsiveness and the Role of Recommendation
Systems
Users often believe that social
media and VOD algorithms understand their personal identities, adjusting
content recommendations accordingly. These perceptions influence how users
interact with platforms, expecting the algorithms to offer content that aligns
with their interests and self-concept. For example, users might think that the
content they see is a reflection of their past behaviors and preferences, such
as videos they have watched or liked.
This belief system leads users to
adjust their online behaviors to align with what they think the algorithm
"wants" to see, essentially feeding the algorithm with behavior that
reinforces their identity. As users perceive algorithms as more responsive to
their needs and identities, their satisfaction with the platform increases.
This is because users feel that the content provided is tailored specifically
to them. However, this personalization can also have negative effects, such as
reinforcing narrow viewpoints and limiting exposure to diverse perspectives.
Algorithmic responsiveness plays a
significant role in shaping the user experience, with some platforms perceived
as being more attuned to individual needs. TikTok, for example, is often viewed
as more sensitive to user identity due to its algorithmic design, which focuses
heavily on personalized content over social connections. This can lead to
higher satisfaction among users who feel that their interests are better
represented on such platforms. Understanding these perceptions is key to
analyzing how user-algorithm interactions evolve over time and influence media
consumption patterns.
Regarding consumption of experience
goods, consumers usually turn to various sources for quality information on the
product. Recommendation systems and engines are one of the ways in which media
users can obtain information about the products they have available for
consumption. They serve to reduce the consumer search costs and uncertainties
associated with choosing unfamiliar products, thus facilitating online
decision-making and engaging audiences more effectively. These algorithmically
driven systems are central to search engines, social media platforms, and
diverse content aggregators such as Amazon, YouTube, Spotify, and Netflix, not
just video content.
The power of recommendation
algorithms extends beyond VOD platforms to social media, where they similarly
curate user experiences by presenting content most likely to keep users
engaged. This process is central to the success of platforms like YouTube and
TikTok, where users rely on recommendations to discover new videos, music, and
trends. As algorithms analyze user behavior to identify patterns and
preferences, they shape the pathways through which content is consumed, often
introducing users to content they might not have actively sought out.
While on-demand consumption through
OTT platforms has already somewhat disrupted the linearity of traditional
consumption and generated certain behavioral changes in the audience, social
networks like TikTok might be once again altering the relationship with content
in terms of transience. As Muñoz-Gallego et al. (2024) explain, the conditions
of brevity and non-permanence are accentuated on this social media network,
which, thanks to its algorithm, is considered perhaps "the most dynamic
platform today, with its low attention demand being comparable only to the old
practice of channel surfing" (p.4).
Another way in which the consumption
experience (and its perception) has been altered in audiovisual consumption is
through the phenomenon of "binge-viewing": the act of watching
several consecutive episodes of a series or films in a "binge". This
form of consumption blurs the traditional rules of serialized productions and
is another practice where the experience on social media can become quite
similar to that of VOD platforms. The term "binge" has always had a
negative connotation, associated with eating disorders or drinking, so the
rapid normalization of the term for video consumption on the Internet might
seem ironic. This option is presented to and perceived by users as a form of
relaxation and release (Feeney, 2014; Skipper, 2014), similar, we could point
out, to the hours spent continuously swiping up on social media.
Algorithmic recommendation leverages
AI algorithms to analyze large datasets on user behavior, such as viewing
history, preferences, and interactions, to create personalized experiences. QoE
and algorithmic recommendation are closely connected, as content
personalization through algorithms can significantly enhance QoE (Taylor and
Choi, 2022). Quality of Experience (QoE) is a multifaceted concept that
encompasses various aspects of a user's interaction with a service or product.
AI-driven content personalization plays a crucial role in enhancing QoE by
reducing information overload (Zarouali et al., 2021).
AI can filter out irrelevant content
and present users only with what interests them, minimizing information
overload and frustration. AI can also help by improving discoverability; AI can
help users find new content they might not have encountered otherwise,
broadening their horizons and providing a richer experience. A study (Hong,
2023) found that satisfaction with Netflix's algorithmic recommendations was
comparable to that of personal recommendations. This creates an overall more
intuitive experience, with AI algorithms learning from user interactions to
deliver a more user-friendly experience (Jayanthiladevi et al., 2020).
Algorithmic recommendation can
impact QoE by shaping the content users see in their feeds. The perception of
algorithmic responsiveness (PAR)—the belief that the algorithm understands and
validates the user’s identity—has been linked to greater enjoyment of social
media. In a study, TikTok scored higher in PAR than Facebook, suggesting that
TikTok's algorithm was perceived as more attuned to the user’s identity (Taylor
and Choi, 2022). Another study looked at how Twitter's recommendation
algorithms affect users' emotions, such as anger, sadness, anxiety, and
happiness. They found that Twitter's engagement algorithm increased exposure to
content that expressed negative emotions (Milli et al., 2023).
It is important to note that QoE is
a subjective concept and can vary significantly from one user to another. In
addition to the aspects mentioned above, there are other factors that can
influence QoE, such as the technical quality of the service (e.g. transmission
speed, video resolution) and the context of use (e.g. location, device).
Risks and
Opportunities of AI-Driven Personalization
The integration of AI in content
personalization offers significant opportunities, such as improved user
satisfaction and engagement. However, it also comes with inherent risks.
Concerns about privacy, data security, and algorithmic transparency have grown
as platforms increasingly use personal data to refine recommendations. Users
often feel uneasy about the lack of control over their data and the opacity of
algorithmic processes.
For instance, users may be unaware
that there is no option to disable algorithmic filtering on most platforms.
This lack of transparency fosters concerns about surveillance and data
manipulation. Authors like Van Den Bulck and Moe (2017) highlight the potential
for AI to perpetuate biases or reinforce echo chambers, as algorithms can
subtly shape user perceptions without their knowledge. Striphas (2015) suggests
that algorithms' role in content distribution raises ethical questions, given
that most are proprietary and lack external oversight.
Conversely, some studies argue that
algorithmic recommendations can counteract certain cognitive biases by
providing diverse suggestions. Research by Gil De Zúñiga et al. (2022) shows
that users may trust algorithmic advice more than human recommendations,
especially when selecting content. This trust underscores the importance of
examining how AI shapes user behavior on VOD platforms and the implications for
media consumption.
Another behavior that algorithmic
personalization has an impact on is binge viewing. In the context of
television, a classic way of measuring the relationship between channel and
audience is through the time spent in front of the screen (Danaher & Lawrie,
1998). The time spent watching content from a channel indicates, in principle,
the satisfaction with that offer (Phalen & Ducey, 2012). Applying this
perspective used in engagement studies, which is mainly aimed at the amount of
time viewers spend watching content and the attention with which they do so,
continuous viewing and binge viewing could be seen as a positive behavior. The
term "binge", however, carries a historical association with excess
and loss of control, often linked to eating or drinking disorders. Yet, in the
context of media consumption, it has gained a more normalized meaning,
representing a common form of relaxation and entertainment. This shift in
perception highlights the role of VOD platforms in redefining how audiences interact
with long-form content.
Binge-watching has become a defining
feature of modern media consumption, challenging the traditional rules of
serialized production. This behavior reflects the evolving user expectations in
a VOD environment where content is accessible on-demand. Unlike linear TV,
where audiences had to wait for weekly episodes, VOD platforms offer entire
seasons at once, allowing users to consume content at their preferred pace.
Studies have shown that users
perceive binge-watching as a form of escapism or a way to unwind, similar
to the experience of scrolling through social media feeds for extended periods.
The ability to control one's viewing experience—pausing, resuming, or skipping
episodes—contributes to a sense of empowerment and personalization. However,
this form of consumption also raises questions about its impact on mental
well-being and how platforms balance user satisfaction with responsible content
delivery.
Challenges in
Managing Data and User Perceptions: The Role of Algorithmic Awareness
Managing user data is a complex task
for VOD platforms, which must balance personalization with privacy concerns.
Transparent data practices are essential for building user trust, as is
providing users with control over their information. However, achieving this
balance can be challenging, as platforms must navigate the tension between
offering highly tailored experiences and respecting user privacy. These
challenges encompass technical, financial, ethical, and regulatory aspects.
A crucial part of this challenge
involves addressing the risks of "filter bubbles" and polarization.
Algorithms that prioritize user preferences can inadvertently limit exposure to
diverse content, creating an environment where users are repeatedly shown
similar types of content. This can reinforce existing biases and reduce
opportunities for discovering new perspectives. Understanding how users
perceive the balance between personalization and diversity is key to improving
QoE on VOD platforms.
Rostamiani and Moradi Kamreh (2024)
point out how the integration of AI technologies into existing media
infrastructures is technically challenging. It often requires significant
financial investment to implement and maintain AI systems while ensuring their
reliability and scalability.
In addition to these challenges,
media organizations must also consider the need for algorithmic literacy: A
deeper understanding of how algorithms function in the news selection process
and their non-neutral nature will enable a more critical consumption of
algorithm-driven news (Gil De Zúñiga et al., 2022).
Algorithmic awareness —users'
understanding of how algorithms shape their content— plays a crucial role in
shaping their interactions with platforms. Studies suggest that most users have
a limited grasp of how recommendation systems operate, often misunderstanding
the mechanisms behind content selection. This gap in understanding can lead to
confusion and dissatisfaction when users encounter content that seems
misaligned with their interests.
Zarouali (2021) highlights the
societal risks of low algorithmic awareness, including the spread of
misinformation, filter bubbles, and susceptibility to manipulation. Enhancing
algorithmic literacy through education could empower users to make more informed
decisions about their media consumption. Such efforts could mitigate some of
the negative effects of AI-driven personalization, fostering a healthier
relationship between users and recommendation systems.
Conclusion
and future directions
The ongoing evolution of VOD
platforms and their integration with AI-based recommendation algorithms
presents both opportunities and challenges. Understanding the dynamics of
user-algorithm interactions is essential for designing systems that enhance user
satisfaction while promoting transparency and diversity. As social media and
VOD platforms continue to intersect, examining the influence of social media
consumption on VOD behavior becomes increasingly relevant.
Future research should focus on
developing robust metrics for user satisfaction, exploring ethical frameworks
for algorithm design, and investigating the long-term effects of personalized
recommendations on media consumption patterns. Additionally, studies should
address generational differences in algorithmic perceptions, as younger users
might have different expectations for personalization compared to older
audiences.
By synthesizing insights from the
literature on social media algorithms and VOD platforms, this study aims to
contribute to a deeper understanding of how AI is reshaping the landscape of
digital content consumption. Addressing these questions will be crucial for the
future of media services, ensuring that AI-driven personalization is used
responsibly and ethically to enhance the user experience.
References
Baraković Husić,
J., Baraković, S., Cero, E., Slamnik, N., Oćuz, M., Dedović, A., & Zupčić,
O. (2020). Quality of experience for unified communications: A survey. International
Journal of Network Management, 30(3), 1–25. https://doi.org/10.1002/nem.2083
Belk, R. W.
(1975). Situational Variables and Behavior Consumer. Journal of Consumer
Research, 2(3), 157-164.
Danaher, P. J.,
& Lawrie, J. M. (1998). Behavioral Measures of Television Audience
Appreciation. Journal of Advertising Research, 1, 54-65.
Dogruel, L.,
Facciorusso, D., & Stark, B. (2022). ‘I’m still the master of the
machine.’Internet users’ awareness of algorithmic decision-making and their
perception of its effect on their autonomy. Information, Communication &
Society, 25(9), 1311–1332.
Feeney, N. (2014). When, exactly, does watching a lot of Netflix become a ‘binge.’ The Atlantic, 18.
Gil De Zúñiga, H., Cheng, Z., &
González-González, P. (2022). Effects of the
news finds me perception on algorithmic news attitudes and social media
political homophily. Journal of Communication, 72(5), 578–591. https://doi.org/10.1093/joc/jqac025
Hong, S. (2023, April 21). Believe in algorithms or believe in your friends?: the influences of the different ways in seeking what to watch on Netflix. https://repositories.lib.utexas.edu/items/ba91cb1a-8fa5-458f-ad5d-4b4c7e0e12d0
Jayanthiladevi, A.,
Raj, A. G., Narmadha, R., Chandran, S., Shaju, S., & Krishna Prasad, K.
(2020). AI in Video Analysis, Production
and Streaming Delivery. Journal of Physics: Conference Series, 1712(1). https://doi.org/10.1088/1742-6596/1712/1/012014
Milli, S.,
Carroll, M., Wang, Y., Pandey, S., Zhao, S., & Dragan, A. D. (2023).
Engagement, User Satisfaction, and the Amplification of Divisive Content on
Social Media. http://arxiv.org/abs/2305.16941
Morris, J. W.
(2015). Curation by code: Infomediaries and the data mining of taste. European
Journal of Cultural Studies, 18(45), 446–463.
Muñoz-Gallego, A., Giri, L., Nahabedian, J. J., & Rodríguez, M. (2024). Audiovisual Narratives on Tik Tok: New Challenges for Public Communication of Science and Technology. Revista Mediterranea de Comunicacion, 15(1), 145–161. https://doi.org/10.14198/MEDCOM.25481
O’Sullivan, Derry et al. (2024). Improving the Quality of the Personalized
Electronic Program Guide. User modeling and user-adapted interaction 14(1),
5–36.
Phalen, P. F.,
& Ducey, R. V. (2012). Audience Behavior in the Multi-Screen «Video-Verse».
International Journal on Media Management, 14(2), 141-156. https://doi.org/10.1080/14241277.2012.657811
Rostamian, S.,
& Moradi Kamreh, M. (2024). AI in Broadcast Media Management: Opportunities
and Challenges. AI and Tech in Behavioral and Social Sciences, 2(3),
21-28. https://doi.org/10.61838/kman.aitech.2.3.3
Skipper, B.
(2014). House of cards: Will Netflix’s binge-viewing approach to TV become the
norm. International Business Times, 14.
Striphas, T.
(2015). Algorithmic culture. European Journal of Cultural Studies, 18 (45),
395–412.
Taylor, S. H.,
& Choi, M. (2022). An Initial Conceptualization of Algorithm
Responsiveness: Comparing Perceptions of Algorithms Across Social Media
Platforms. Social Media and Society, 8(4). https://doi.org/10.1177/20563051221144322
Van Den Bulck, H.,
& Moe, H. (2017). Public service media, universality and personalisation
through algorithms: mapping strategies and exploring dilemmas. Media,
Culture and Society, 40 (60), 1–18.
Zarouali, B., Boerman, S. C., & de Vreese, C. H. (2021). Is this recommended by an algorithm? The development and validation of the algorithmic media content awareness scale (AMCA-scale). Telematics and Informatics, 62. https://doi.org/10.1016/j.tele.2021.101607
[1] Doctora en Ciencias de la Comunicación por la Universidad de Navarra. Actualmente es directora académica de programas y docente investigadora de la Facultad Internacional de Comunicación e Industrias Culturales de la Universidad Hemisferios. ORCID: https://orcid.org/0009-0004-9535-1985
[2] Vicerrectora de Comunicación de la Universidad de Navarra, profesora titular de la Facultad de Comunicación, Master en Media Management por la University de Stirling (2000) y Diplomada en Dirección General (PDG) por el IESE (2015). Ha realizado varias estancias de investigación, entre las que destaca el Reuters Institute for the Study of Journalism de la Universidad de Oxford, durante el curso 2017/2018. Fue vicedecana de Alumnos de la Facultad de Comunicación desde 2004 hasta el 2008, y desde junio de 2008 a junio de 2017, decana de dicha facultad. ORCID: https://orcid.org/0000-0002-3695-4143